It builds and builds until you can take no more. Featuring songs used in the show, but also many more spanning the decade. Cameo had been around for donkey’s years, even occasionally sidling into the UK charts with the ultra-smooth funk of ‘She’s Strange’ and ‘Single Life’, but it took an enormous red codpiece and silly twang to make Larry Blackmon a true star. It eerily prefigured the future. Bette Midler. https://www.youtube.com/watch?v=1YrXY4isgLs. The result was indie gold. https://www.youtube.com/watch?v=XmSdTa9kaiQ. Songs and music featured in The Strangers: Prey at Night Soundtrack. https://www.youtube.com/watch?v=dLBx3g8cowY. For better or worse, ‘The One I Love’ was REM’s big push through the commercial barriers, a US top 10 hit transforming them in one fell swoop from floppy-haired college radio darlings to bald-bonced plane-trashing heroes of the glossy monthlies. "Stranger in Moscow" is a song by American singer-songwriter Michael Jackson from his ninth studio album HIStory. It was 1st single from their 11th album 窶弃erfect Strangers窶�. ‘She Bangs The Drums’ saw the Roses tipping their caps to the ephemeral moments one has with a new sweetheart, with John Squire later comparing it to “staying up til dawn and watching the sun come up with someone you love.” The penetrating bass, and the ‘endless summer’ vibe of the music, expressed these emotions with perfect eloquence. Making Love out of Nothing at All. VIEWS. Dead Kennedys’ ode to liquor-induced floppiness may be crude, lewd and gloriously dumb, but it’s not just puerile gags about brewer’s droop. But Arctic Monkeys didn’t namecheck ‘Rio’ in ‘I Bet You Look Good On The Dancefloor’ for naught – they knew that, despite the horrowshow haircuts, it’s still one of the sexiest and sunniest synthpop singles of the 80s. Ah, the 80s - whatever you thought of the fashion, 80s music was absolutely splendid? By the time ‘We Care A Lot’ smashed onto the radio, it ushered in a new wave of anti- poser, alternative metal that didn’t live or die on the number of virgins that had been sacrificed the evening before. I heard this song while I was inside a mall. “Here I go!” she shouts, unable to control herself, and you’re whipped up with lust alongside her. Grace Jones’s fusion of funk and reggae, a perfect blend for the Island label, was smoothed considerably by rhythm section Sly Dunbar and Robbie Shakespeare, who slipped comfortably into the musical melting pot of the new wave scene. Sort. Released one month before Ian Curtis’ death, NME‘s original review called the song a “tombstone”. Episode 5 • The Flea and the Acrobat. Bizarrely, that “old man” was Lou Reed but that’s the only trace of the past on a supple and deceptively complex slice of synthpop. Thank sweet Jesus for preacherman Nick Cave, a man with fire in his belly, poetry in his soul and righteous ire fuelling this almost unbearable last-gasp from a doomed man waiting to fry in that “mercy seat“. EMBED (for wordpress.com hosted blogs and archive.org item tags) Want more? A slice of Freudian autography, the deceptively simple music was played by the man himself. Throw in Dre’s frightening production and ‘Straight Outta Compton’ was a threat people took seriously. One’ and discovered the album only had an a cappella version of the track. A shiny bauble of pure pop goodness from the fab four. That told ’em. No_Favorite. Quincy Jones didn’t want the song on the album, which shows what he knows. We had New Order and Frankie Goes To Hollywood, U2, Prince and Cyndi Lauper, Springsteen, INXS, Bananarama, Duran Duran and the list goes on.

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